meek's cutoff ending reddit

Just leave us a message here and we will work on getting you verified. Do the characters grow through choosing self-determination? To be present.

This is a highly polarizing film, so I encourage everyone to sit through it once. [Director Kelly] Reichardt, who previously directed Williams in Wendy and Lucy, shows us with great subtlety the physical and emotional drama here, one that's properly underplayed, given the strictures of the time. It really brings across the feeling that the party doesn't know what the future holds, especially in the multitude of shots when they are moving single file across the screen. This is the sort of film critics love to praise because the filmmaker has done good work before; and well, there must be something there. Sure, and that ending would give the film some kind of formal shape, too - but less opportunity to (as Brody argues, not me) implant "feminist DNA" into the structure of the western. I hear they ran out of funding for the ending and just stopped, which in fact, doesn't hurt the movie imo. I for one got a good amount of enjoyment from watching Kelly Reichardt's Meek's Cutoff. It gives me an indifferent experience that keeps me, as I said in the piece, at a "curiously passive distance". This, for example, is an opinion that says nothing of why you think it falls flat. It exists better in the imagination without one." Copyright © Fandango.

The film frequently has night scenes where everything is pitch black except for one lantern. To begin with, the characters are underwritten to the point of abstraction, and Reichardt compounds the issue by carefully refusing eye-line matches and point-of-view shots (with the exception of the final one) - the camera never allows the audience to enter what action there is, keeping them instead at a curiously passive distance. Ambiguity may be intriguing when it consists of alternative meanings, each of them clear." What director Kelly Reichardt shows us is that boredom and stark realism. I mean, you know little about what these characters are trying to do other than survive, you know even less about who they are, and finally you know nothing about whether or not they succeeded/failed/developed in any significant way as people. I thought it was something wrong with the Netflix stream format, so I actually turned it off and didn't watch it again until a year later (when I learned that it was actually intended as 1.33:1). Night Moves after Meek's Cutoff, and Wendy and Lucy before it, also end in ellipses. .s5ap8yh1b4ZfwxvHizW3f{color:var(--newCommunityTheme-metaText);padding-top:5px}.s5ap8yh1b4ZfwxvHizW3f._19JhaP1slDQqu2XgT3vVS0{color:#ea0027} I found myself as intrigued by what was off the screen as what was actually shown. We can't truly say what colonial people were like on a deeply personal level and so it is very different to relate to them in the way that we can relate to her characters in Night Moves, Wendy and Lucy, Old Joy and her first film - i forget the title - which was amazing. |, January 17, 2020

It puts you in a forgotten time and shows you the gender norms and cultural customs without explaining it or talking it to death. |, August 15, 2017 I agree, beautiful and one of those films that cultivates its audience into its own rhythm. What did she experience, what did her perspective offer, that separated her from the others and gave her what it took to finally make the decision? ha! He took a shortcut, but it seems like anything but a shortcut. Coming Soon.

I hear they ran out of funding for the ending and just stopped. Every single shot of this film is what you'd call art. Certainly, the film is grim in many ways, but there is also great, almost astonishing, beauty. They were grueling, dirty, thirsty, burning and freezing ordeals. I haven't been able to find anything about this online and this ending is definitely of the same cloth as the endings of other of Kelly Reichardt's films (like Old Joy, for instance). Reichardt's strategies keep the audience in the role of a passive observer of characters who are puzzlingly opaque, and then never makes a point out of the opacity. The movie begins with the families crossing a river and collecting water. I watched it with my parents on Netflix, and it was one of the most interesting cinematic experiences. Don’t worry, it won’t take long. Kelly Reichardt's Meek's Cutoff is a film that's been lavished with critical superlatives, and there is much to admire in the film. We're watching the same thing Emily is watching, a group of strangers meeting in private to discuss the fate of the group, while all she can do is watch and wait from a distance to hear their verdict. During the 1840s, six settlers and their guide are caught in a dangerous situation: They are lost, food and water are running out, and the surrounding desert threatens to claim them all.

|, November 16, 2019 Since others are talking of the aspect ratio, I'd just like to chime in that I think it was used masterfully. Kelly Reichardt's Meek's Cutoff is a film that's been lavished with critical superlatives, and there is much to admire in the film. The leap from Reichard to Hitchcock is bizarre. Moving at a contemplative speed unseen in most westerns, Meek's Cutoff is an effective, intense journey of terror and survival in the untamed frontier. I'm not going to say this is a masterpiece or anything, although visually it is. We want to hear what you have to say but need to verify your account. I'm sure that it would never appear that the mountains are getting any closer. Don't have an account? Regal | Rating: 4/5 I think Meek's Cutoff was not great although I do owe it another watch, but the whole concept of conveying feelings really begins to fray when the people who we are supposed to empathize with are completely foreign in every way. ._1EPynDYoibfs7nDggdH7Gq{margin-bottom:8px;position:relative}._1EPynDYoibfs7nDggdH7Gq._3-0c12FCnHoLz34dQVveax{max-height:63px;overflow:hidden}._1zPvgKHteTOub9dKkvrOl4{font-family:Noto Sans,Arial,sans-serif;font-size:14px;line-height:21px;font-weight:400;word-wrap:break-word}._1dp4_svQVkkuV143AIEKsf{-ms-flex-align:baseline;align-items:baseline;background-color:var(--newCommunityTheme-body);bottom:-2px;display:-ms-flexbox;display:flex;-ms-flex-flow:row nowrap;flex-flow:row nowrap;padding-left:2px;position:absolute;right:-8px}._5VBcBVybCfosCzMJlXzC3{font-family:Noto Sans,Arial,sans-serif;font-size:14px;font-weight:400;line-height:21px;color:var(--newCommunityTheme-bodyText)}._3YNtuKT-Is6XUBvdluRTyI{color:var(--newCommunityTheme-metaText);fill:var(--newCommunityTheme-metaText);border:0;padding:0 8px}._3YNtuKT-Is6XUBvdluRTyI:active,._3YNtuKT-Is6XUBvdluRTyI:hover{color:var(--newCommunityTheme-metaTextShaded80);fill:var(--newCommunityTheme-metaTextShaded80)}._3YNtuKT-Is6XUBvdluRTyI:disabled,._3YNtuKT-Is6XUBvdluRTyI[data-disabled],._3YNtuKT-Is6XUBvdluRTyI[disabled]{color:var(--newCommunityTheme-metaTextAlpha50);cursor:not-allowed;fill:var(--newCommunityTheme-metaTextAlpha50)}._2ZTVnRPqdyKo1dA7Q7i4EL{transition:all .1s linear 0s}.k51Bu_pyEfHQF6AAhaKfS{transition:none}._2qi_L6gKnhyJ0ZxPmwbDFK{transition:all .1s linear 0s;display:block;background-color:var(--newCommunityTheme-field);border-radius:4px;padding:8px;margin-bottom:12px;margin-top:8px;border:1px solid var(--newCommunityTheme-canvas);cursor:pointer}._2qi_L6gKnhyJ0ZxPmwbDFK:focus{outline:none}._2qi_L6gKnhyJ0ZxPmwbDFK:hover{border:1px solid var(--newCommunityTheme-button)}._2qi_L6gKnhyJ0ZxPmwbDFK._3GG6tRGPPJiejLqt2AZfh4{transition:none;border:1px solid var(--newCommunityTheme-button)}.IzSmZckfdQu5YP9qCsdWO{cursor:pointer;transition:all .1s linear 0s}.IzSmZckfdQu5YP9qCsdWO ._1EPynDYoibfs7nDggdH7Gq{border:1px solid transparent;border-radius:4px;transition:all .1s linear 0s}.IzSmZckfdQu5YP9qCsdWO:hover ._1EPynDYoibfs7nDggdH7Gq{border:1px solid var(--newCommunityTheme-button);padding:4px}._1YvJWALkJ8iKZxUU53TeNO{font-size:12px;font-weight:700;line-height:16px;color:var(--newCommunityTheme-button)}._3adDzm8E3q64yWtEcs5XU7{display:-ms-flexbox;display:flex}._3adDzm8E3q64yWtEcs5XU7 ._3jyKpErOrdUDMh0RFq5V6f{-ms-flex:100%;flex:100%}._3adDzm8E3q64yWtEcs5XU7 .dqhlvajEe-qyxij0jNsi0{color:var(--newCommunityTheme-button)}._3adDzm8E3q64yWtEcs5XU7 ._12nHw-MGuz_r1dQx5YPM2v,._3adDzm8E3q64yWtEcs5XU7 .dqhlvajEe-qyxij0jNsi0{font-size:12px;font-weight:700;line-height:16px;cursor:pointer;-ms-flex-item-align:end;align-self:flex-end;-webkit-user-select:none;-ms-user-select:none;user-select:none}._3adDzm8E3q64yWtEcs5XU7 ._12nHw-MGuz_r1dQx5YPM2v{color:var(--newCommunityTheme-button);margin-right:8px;color:var(--newCommunityTheme-errorText)}._3zTJ9t4vNwm1NrIaZ35NS6{font-family:Noto Sans,Arial,sans-serif;font-size:14px;line-height:21px;font-weight:400;word-wrap:break-word;width:100%;padding:0;border:none;background-color:transparent;resize:none;outline:none;cursor:pointer;color:var(--newRedditTheme-bodyText)}._2JIiUcAdp9rIhjEbIjcuQ-{resize:none;cursor:auto}._2I2LpaEhGCzQ9inJMwliNO{display:inline-block}._2I2LpaEhGCzQ9inJMwliNO,._42Nh7O6pFcqnA6OZd3bOK{margin-left:4px;vertical-align:middle}._42Nh7O6pFcqnA6OZd3bOK{fill:var(--newCommunityTheme-button);height:16px;width:16px;margin-bottom:2px} It is liken to watching a horror flick in a way.

I'll see her next at the theater as soon as it comes out. I think Wendy and Lucy has a satisfactory story arc. I did see Night Moves after Meek's Cutoff, so I knew what to expect with a Kelly Reichardt film. I think it matters. It's a journey that's abandoned before it really gets underway.

| Rating: D The director claims it ends as she wants it to, but I'll always be asking what the difference might have been.

By opting to have your ticket verified for this movie, you are allowing us to check the email address associated with your Rotten Tomatoes account against an email address associated with a Fandango ticket purchase for the same movie. It's been a while since I was so blown away by the pure beauty that is every single shot of this film.

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